MATSYS

Posts Tagged ‘Construction’

Branching HyPar

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At the event. Photo: Craig Scott

At the event. Photo: Craig Scott

Video projections by Chris Larson

Video projections by Chris Larson

Branching points at balconies

Branching points at balconies

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Plan

Plan

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Early renderings of design

Early renderings of design

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BAM_s01_v04

Year: 2008
Location: Berkeley Art Museum

Description: From artists such as Naum Gabo to architects such as Antoni Gaudi, Felix Candela, and Frei Otto, the geometric entity known as a hyperbolic paraboloid has emerged as something that is both formally evocative and easily constructible. Although composed of only straight lines, the hyperbolic paraboloid traces a complexly curved surface. For this installation, the central space of the Berkeley Art Museum is tied together with a series of HyPar surfaces that emerge from the upper levels and then bifurcate at each balcony, framing a series of video projections.

The installation was created to celebrate the 30th anniversary of the Matrix, the contemporary art department of the Berkeley Art Museum. Although it was only commissioned for a one-night party on April 25, 2008, the curators of the museum decided to keep it up for a few months. The installation consists of around 15,000′ of nylon rope, 4 steel frames, 4 laser-cut acrylic column braces (affectionately knowns as the “armadillos”), and 4 amazing videos created by Chris Lael Larson of Natural Lighting in Portland.

Design and Fabrication
Andrew Kudless of Matsys

Design Collaborators
Lisa Iwamoto and Craig Scott of IwamotoScott

Steel Fabrication
Joel Hirschfeld of Hirschfeld Fabrications

Motion Graphics Design
Chris Lael larson of Natural-Lighting.com

Engineering Consultation
Andrew Sparks

Installation Team
Michael Chang
John Kim
Thien Mac
Pia-Jacqlyn Malinis
Ashley Matsu
Natsuki Matsumoto
Plamena Milusheva
Azadeh Omidfar
Colleen Paz
Aaron Poritz
Eleanor Pries

300 Veils

Kobe, 1998

Kobe, 1998

Kyoto, 1998

Kyoto, 1998

Osaka, 1998

Osaka, 1998

Kita Kyoto, 1998

Kita-ku Kyoto, 1998

Osaka tower, 1998

Osaka tower, 1998

Year: 1998
Location: Kansai Region, Japan

Description: This project began as a documentary exploration of contemporary Japanese urban form, specifically the rapid life-cycle of buildings. The use of fabric screens during the construction or demolition of buildings was researched as a sign of numerous Japanese architectural, economic, and social conditions. Over a course of nine days, the three cities of Kyoto, Kobe, and Osaka were documented for their quantity of these screens resulting in over 300 photographic sites. Through a series of smaller projects, issues involving the technology and logistics of the screens, their abstract aesthetic form, and their potential as public works of art were explored.