Archive for November, 2014
Size: 3m x 3m x 3m
Materials: Fiberglass Composites and LED lights
Tools: Grasshopper, Kangaroo, Weaverbird
Location: Market Street, San Francisco
Exhibition: Market Street Prototyping Festival, April 9 – 11, 2015
Public Anemone is a piece of urban street furniture that advocates for provisional, ambiguous, and playful interaction with the diverse populations of Market Street. Rather than falling into a neat category of “street art”, “bench” or “play structure”, Public Anemone is all of these and more. The design recognizes that Market Street must cater to populations of vastly different backgrounds, interests, and perspectives and provides a structure that invites both cultural and physical interpretation by all people. The structure is simultaneously an urban icon that would draw tourists and locals, a simple, yet playful bench, and a stage set for music and dance performances. At night, its arms subtly glow and pulsate creating an urban campfire around which people can meet up before heading out into the city.
As a prototype, the project explores a variety of ideas:
Branding: The structure is designed to be an iconic symbol for the Embarcadero district of Market Street. The multi-armed design of Public Anemone resonates with a variety of sea creatures and almost appears as if it had pulled itself up out of the nearby Bay. In addition, the design builds on the Embarcadero’s reputation for activating space through civic events, recreation, and art. The design acts as a welcoming symbol for the SF Art Market as people arrive from and the Embarcadero Bart Station and further up Market Street.
Playfulness: The structure is designed to encourage play on, under, and around it by all ages. Almost like the roots and branches of a tree, the structure twists and turns and invites the public to discover new ways to crawl under, sit on, and climb over it. Specifically, the elephantine legs of the structure will draw children to move between them and play in a space that is only large enough for them.
Modularity: The design is made out of 24 identical fiber-composite arms. Each arm is rotated around a central node and composed of two parts: a translucent composite shell that would be backlit at night with low-power LEDs and an opaque composite shell that provides more structural rigidity.
Scalability: The modularity of the arm design allows it to scale up to multiple sites or even multiple arm designs in the future (e.g. longer arms that could provide more seating, bicycle parking, etc.)
Mobility: The use of fiber-composite construction means that the structure is both strong and lightweight and could be easily moved during the festival to multiple locations. This enables the structure to be reconfigured as needed for specific events such as potential music and dance performances.
Durability: The fiber-composite structure also makes the structure resistant to wear as well as waterproof. The use of a modular design means that parts could be quickly and inexpensively replaced if damaged.
Interactivity: The prototype design currently uses a modest, pre-programmed pattern of pulsating light however this could be developed further to explore how the lighting change according to real-time data acquired from either local sensors or online databases.
Andrew Kudless (Design); Stephanie Stockwell, Rhett Cowen, Mosaab Alsharif (Prototyping); Kreysler & Associates (Fabrication Consulting)
Materials: Plaster, Nylon Fabric
Tools: Rhino, Grasshopper, Kangaroo
Location: Gold Coast, Australia
Evolving out of the P Wall series of projects, P Fold explores the use of linear constraints on a flexible fabric formwork. The focus of this early stage of the research has been on the digital simulation of the inflation process. The system developed subdivides a wall into a number horizontal and vertical constraints on the fabric surface that prevent it from inflating when the liquid slurry is cast into the formwork. Unlike previous projects exploring flexible formwork, the P Fold wall is cast vertically instead of horizontally. This may allow the wall to be cast in-place instead of tilt-up or prefabricated.
The work of Matsys was featured on the recent cover of issue 06 of Evolo Magazine’s issue on Digital and Parametric Architecture. The issue includes two projects by Matsys: Chrysalis III and P_Wall 2009. The issue includes many great projects by dozens of emerging and innovative firms. Check it out!